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Integrated Amplifier KR Audio VA880 Review (Part 1)

9/1/2014 11:25:04 AM
For those unable to accommodate the mighty Kronzilla valve amplifier, KR Audio offers something more domestically acceptable in the form of the KT88-equipped VA880

While the resurgence of vinyl is becoming a more and more familiar story, there is another area of the audio industry that's equally buoyant: the rebirth of the valve amplifier. There is ample choice for the prospective buyer at all price levels, and the KR Audio VA880 sits perfectly in the middle ground - not too small and feature-limited, but equally not too big, exotic or priced permanently out of reach.

KR Audio will be a familiar name to readers thanks to John Bamford's review of the jaw-dropping Kronzilla SXi. This unit is a real labour of love, featuring unique valves designed by the company itself, but its size and price will restrict it to a lucky few. The VA880 is, however, an altogether more practical proposition, as it's based around the well-proven, and popular, KT88 valve.

KR Audio VA880 front view

KR Audio VA880 front view

Interestingly, KR Audio doesn't actually manufacture these valves; those fitted to the review amplifier were Genalex Gold Lion types from Russia.

The $8,600 UK price tag sported by the VA880 pitches it somewhat above the price of many well-known valve models by the likes of Ming Da, Icon Audio and Prima Luna, but it does have some competition, including models boasting 211, 300B and 845 valves from Melody, plus the KT120- equipped Jadis I35.

The amplifier itself is a neat design and, while not abounding with stylistic flourishes or undue bling (thank goodness!), it is a beautifully made unit and the matt finish of most of the metalwork lends it an undeniable ‘brutalist' charm.

With the power and output coupling transformers encased in a steel box above, KR Audio’s logic-controlled inputs, PSU smoothing, FET driver amp and volume are housed beneath

With the power and output coupling transformers encased in a steel box above, KR Audio’s logic-controlled inputs, PSU smoothing, FET driver amp and volume are housed beneath

Front panel controls are limited to four unlabelled source selection switches that relate to the corresponding range of inputs on the rear panel. At the right-hand end is a fascia standby switch that operates in conjunction with the main power switch on the rear panel. The remote control window and centrally placed volume control complete the picture.

Inverted topology

At the rear, things are a little more crowded, with inputs via three pairs of phono inputs and one pair of balanced XLR sockets - all analogue. Input selection is achieved using reed relays and the signal is subsequently fed into a Class A MOSFET driver section and on to the variable-bias tube output stage.

The topology of the amplifier is the opposite to the common idea of a hybrid design, which usually involves a thermionic preamplifier driving a solid-state power amplifier. However, as is so often the case in audio, it's less a matter of how it's done, but more how well it's done, and so the apparently topsy-turvy layout of the VA880 should in principle offer no issues, especially coming as it does from a company that knows its power valves.

KR Audio VA880 in room

KR Audio VA880 in room

On the output side of things, settings for 4ohm and 8ohm loudspeakers are offered, but rather than simply fitting different binding posts for each, KR Audio has chosen to equip the VA880 with a single set of posts per channel. So it is necessary to remove a small panel on the amplifier's rear and redistribute four small screws underneath according to the guide on the underside of this panel. While this is not a problem in itself, my one small concern was that the 4ohm setting uses four screws, but the 8ohm setting only requires two. I'm sure I am not the only person that can foresee those two extra screws having disappeared the very day one purchases a new pair of loudspeakers and finds a need for them!

A small, nicely made remote control handset is supplied with the amp, and this is a boon as the metal volume knob on the fascia is right under the output valves and becomes quite hot after some hours' use.

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