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Quadral Aurum Vulkan VIII-R: Offer A Sound As Striking As Its Paintwork (Part 1)

8/27/2013 2:52:16 PM

Does the latest VIII-R variant of Quadral’s Aurum Vulkan loudspeaker offer a sound as striking as its paintwork?

The idea of a company branding its premium products under a different name from that of the more day-to-day items is not new and is one that seems to be increasing in popularity. Looking back to the 1970s, most people were well aware that Aurex was to Toshiba, and Optonica was to Sharp, what Lexus is to Toyota in today’s motor industry. The only real survivor of this practice that immediately springs to mind is Esoteric, which is the brand used for the high-end offerings from Teac. It seems that relatively few people are aware that Aurum has a similar relationship to the rather better known German loudspeaker manufacturer, Quadral.

Quadral Aurum Vulkan VIII-R

Quadral Aurum Vulkan VIII-R

The Aurum brand represents the pinnacle of the company’s engineering abilities and the new Vulkan VIII-R sits just one level down from the top of the range Titan VIII [see HFN, Nov ’12], with which they share a good deal of technology. Although the name suggests that these might be the eight iteration of the Vulkan model, they are actually the ninth, with the appended ‘R’ denoting ‘redesign’, and not ‘Red’ as you might have been thinking!

This latest variant does not represent quick makeover, but is a comprehensive reworking. At Mark I the speaker was slim and sylphlike, gradually growing into a rather Weeble-esque, bottom-heavy shape by Mk VII, thanks to the need to accommodate the bass driver which had grown to 12in. The Mk VIII restored the sleek profile with the same driver size by mounting it inside the cabinet at an angle; but a truly balanced look has now finally been retained by the new model, thanks to the use of two smaller units.

 
The Vulkan’s bass drivers are mounted in a pressure chamber configuration with an array of rubber protection bands in front to deter prying fingers, if not exactly block them. All three main drivers use Quadral’s ALTIMA cone material

The Vulkan’s bass drivers are mounted in a pressure chamber configuration with an array of rubber protection bands in front to deter prying fingers, if not exactly block them. All three main drivers use Quadral’s ALTIMA cone material

It is actually the bass end of things that the eye is first drawn to, thanks to the unusual layout with bass drivers tucked behind the baffle and firing through a cut-out, rather than mounted flush. Quadral describes this as a ‘pressure chamber’ with the intention that the pressure that acts on the front of the drivers’ cones is brought closer to that acting on their rears, due to the cabinet and port.

The result should theoretically be a tighter low end with less distortion. The two bass drivers are 210mm in diameter and have a rubber surround supporting Quadral’s ALTIMA cones: a mixture of aluminium, titanium and magnesium that aims to give an optimum balance of strength and lightness

Now, Where Did That Go...?

The final element in the bass chain is the port, which is mounted on the rear and looks big enough to lose something in, if you were careless. As a precaution, I kept the smaller of the Smith household’s feline inhabitants well away from the Vulkans during their stay, just in case she decided to put this to the test...

‘I sat in absolute wonder at the Quadrals’ low-end performance’

 
An alarmingly large port sits above the speaker’s connection panel, the latter offering four input terminals for bi-wiring and a switch to boost or cut tweeter output by 2dB

An alarmingly large port sits above the speaker’s connection panel, the latter offering four input terminals for bi-wiring and a switch to boost or cut tweeter output by 2dB

Above the bass chamber is another 170mmALTIMA-based drive unit for midrange duties and, at the top, a new design of ribbon tweeter taken from the Aurum Titan VIII covers the upper end of the frequency spectrum. The drivers are all linked by a high quality crossover network and connected to it using Real Cable wiring. The design allows bi-wiring or bi-amping and comes complete with short lengths of external cable to link the terminals if this facility is not required – rather than the more usual strips of plated brass. Finally, above the inputs is a switch that allows reducing or boosting the output of the tweeter by 2dB, or setting it to play flat. This is useful when a ribbon tweeter is used, as such drive units tend to offer relatively limited dispersion in the vertical plane – as was the case with the Vulkan VIII-Rs [see Lab Report].It is often said that listeners’ ears should generally be at tweeter height and this is even more important with ribbon tweeters. However, as the Vulkans are tall, this may be tricky, especially if you’re listening seat is of the lounger or recliner kind. In this case, the ability to add a slight lift to the treble output can be invaluable, and can restore a touch of sparkle, although it should of course be only used to augment, and not replace, the proper positioning of the loudspeakers.

 
As the Vulkans are tall, this may be tricky, especially if you’re listening seat is of the lounger or recliner kind

As the Vulkans are tall, this may be tricky, especially if you’re listening seat is of the lounger or recliner kind

The Vulkan VIII-Rs are superbly built and very heavy, and those of you rather alarmed by the magnificent red finish of the review samples – ‘Fire extinguisher not needed’, say Aurum! – will undoubtedly be relieved to hear that standard finishes are gloss Black and White, plus Dark Oak, Light Oak or Cherry real wood veneers. However, should you find even the red a little tame, Quadra will make you a pair in 190of the colors offered by the standard RAL color chart.

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