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Tips & Tricks Of November 2012 (Part 4)

11/5/2012 1:21:07 AM

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15.  Image Atmosphere  

Preventing cool color casts and adding warmth to an image

The summer sets you free with warm days and balmy evenings, but even the camera seems trapped in the chilly winter: photos do not look warm and appear cold instead. Usually, the camera's automatic white balance is often responsible for this since it attempts to depict colors as neutrally as possible. Set the white balance of your camera to 'Shadows', usually represented by a cloud icon, and your camera will automatically add a warmer tone to exposures, since subjects are darker and thus appear colder in shaded situations. If this is not sufficient, you can heighten the impression of warmth using a separate 'Warm filter'. A manual white balance will suffice, too. Image processing programs offer adequate functions, using which you can revitalize photos. In Photoshop, you can find suitable warm filters under 'Image | Adjust | Photo filter'. Here, for example, select the 'Warm filter (81)' and drag the 'Density' scale to 20 percent. Check the 'Maintain luminance' box so the overall brightness of the photos remains constant. Otherwise, the filter swallows up a bit of the light and the resulting image often appears darker

Description: Color temperature can make a huge difference to the images you shoot..

Color temperature can make a huge difference to the images you shoot.

16.  Motif Selection         

Adding attractive motifs to turn the photo into a captivating scene

You do not simply click your favorite moments when on a vacation from a standing position. Not at least for every shot; such perspectives appear quite flat. Instead, search for a suitable eye-catcher. The proportions of many day-to-day objects appear very different when captured from the frog perspective. Objects in the picture appear bent due to the perspective, but these are in reality actually dead straight edges. This effect can be enhanced by using a short focal length. Ideally, use lenses with focal lengths of 28 millimeters or lower. This is because the uncommon grabs attention much more than known image elements that have already been seen many times.

If you get as close to the object as possible, it appears disproportionately huge, making for a very interesting effect. Experiment with this effect and try to achieve your target. Using a polarizing filter, invigorate the colors on slightly distorted reflections, for example on water surfaces in the image. This adds more depth to you picture, which appears more plastic, and transforms it into a head-turner.

Description: This shot captures, motion, expression and perspective which make it interesting.

This shot captures, motion, expression and perspective which make it interesting.

17.  Time Exposure         

Clicking sharp images using mirror lockup

You carry around a tripod along with your heavy digital SLR camera, and yet, long-exposure snaps appear slightly blurred. What goes wrong? Possibly, you do not use one function that is quite decisive for successful exposures: the mirror lockup. This function, available in most DSLRs, shifts the mirror from the optical path before the actual snap, so that the mirror's mechanical movements do not affect the shot negatively.

As soon as you press the shutter release, the half-transparent mirror tilts up and exposes the photo sensor. During this motion, the camera casing inevitably creates slight vibrations which often do not subside completely by the time the shutter is released. While the minuscule displacement of the casing is not noticeable during short exposures, it can lead to blurriness during long exposures since the sensor is exposed for a longer time. These movements cannot be balanced out by a tripod.

Description: DSLR cameras usually have the option to lock the mirror so that it doesn't interfere with a shot.

DSLR cameras usually have the option to lock the mirror so that it doesn't interfere with a shot.

18.  Photo Output           

Printing photos with correct colors without color management

Universal color management of the complete photography process is too expensive for amateurs. As a result, colors in the tediously post­-processed photos appear a lot different in print as compared to the view on the monitor. To correct this, try to balance the color differences manually using your printer's drivers. This is a one-time deal with a bit of effort, but the color rendered on your prints will be distinctly better. The control programs differ from manufacturer to manufacturer, but the principle remains the same. Follow the process for best results.

Open a test photo which displays the most natural skin tones as well as shades of gray in your image processing program. Set the photo paper that you normally use in the printer and invoke the printer driver. You can access the printer driver through your image processing program's 'Print..' dialog, usually by clicking the 'Properties' button. Select the setting for the correct paper type and set the print quality to 'Optimum photo print'. Print the image, and as soon as it is properly dry, compare it with the color of the image on your monitor. Is a color cast visible? If yes, open the printer driver again and try to adjust the erroneous color rendered using the color scale. Print more test photos until the colors match. Finally, note the values and save them for future use.

Description: Proper calibration of a camera, software, PC and printer will improve the accuracy of prints.

Proper calibration of a camera, software, PC and printer will improve the accuracy of prints.

19.  Sport Photography

Making sports photos gripping using short focal length

There's a clear difference in amateur sports pictures and professional ones; the selection of the correct point of view and angle is half the job here. However, some effects can greatly enhance the quality of sports photos.

For a very interesting effect, try capturing sports photos using a short fccal length lens. With a panoramic lens, the closer to the spot you get, the bigger the sportsman appears against the background. The clearly distorted proportions result in an effect that the viewer is actually nearer and feels like they're in the middle of things. You can enhance this effect by opting for the frog perspective. Captured from this perspective, for instance, the legs of a horse on the race track or those of a sprinter appear extremely long, which suits the visual statement splendidly. It would be ideal in such a situation if you place the camera on a low tripod on the sidelines of the track.

Description: An unusual perspective adds a dramatic touch to this photograph.

An unusual perspective adds a dramatic touch to this photograph.

 

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