The Catalyst Tools panel
includes eight drawing tools that allow you to draw rectangles, rounded
rectangles, ellipses, lines, triangles, hexagons, octagons, and stars. A
Text tool is also available.
1. Draw rectangles, rounded rectangles, and squares
You can draw simple
rectangles using the Rectangle tool. As with other applications, you
simply click the tool, then click and drag on the artboard to create a
rectangle. Once you've drawn them, you can modify the rectangles using
the Properties panel.
Rectangles with rounded corners can be drawn using the Rounded Rectangle tool (see Figure 1). Press and hold the Shift key while you drag with the mouse to create a perfect square using either tool.
The values on the
Properties panel such as the X and Y position, or the width and height,
can be adjusted by clicking and typing a new value or by scrubbing the
value. To scrub a value, simply click and drag. Dragging to the left
decreases the value; dragging to the right increases it.
|
|
NOTE
The 0,0 point on the
artboard in Catalyst, as in other Adobe design tools, is the top-left
corner. X values count left to right, while Y values count top to
bottom. A negative X value moves the object off the artboard to the
left, while a negative Y value moves it above the artboard.
To create a new rectangle, follow these steps:
Click the Rectangle tool.
Click and drag on the artboard to draw a rectangle.
On the Properties panel, click and drag to scrub the X or Y value to move the rectangle on the artboard.
Click on the width property's value and type a new value.
Press Tab to move to the height property and type a new value.
2. Set strokes and fills
Each object you draw can have a stroke and a fill. Strokes are the outlines around objects, while fills
place colors within it. Either strokes or fills can use solid colors or
gradients. You can also set either the stroke or the fill to nothing.
On the Properties panel (see Figure 2),
you will see three small boxes to the right of Stroke. The first sets
the stroke to a solid color, the second a gradient, and the third
removes it altogether.
A color picker appears to the
right of these buttons when you select the solid-stroke option. Just as
with the project's background color, this Color Picker (see Figure 3)
presents 40 preset swatches and a spectrum from which you can select
any other color. You can also enter a hexadecimal value for the color.
When you select the gradient stroke, you see a gradient map, which allows you to customize the gradient (see Figure 4). Color stops appear at either end just below the map. You can click on the colored square on the stop to change its color.
Dragging the stop sets its
position within the gradient. You can add additional colors to the
gradient by clicking the area below the map to add a new color stop.
Drag a color stop away from the map to remove it.
When you select a solid
color, a small number appears to the right of the Color Picker.
Scrubbing this number allows you to create a thicker stroke. The
stroke-width setting moves below the stroke buttons when you use a
gradient.
Additional settings for
stroke are available by clicking the Stroke drop-down menu. From here,
you can set the stroke's opacity, creating a transparent stroke on an
otherwise opaque shape. The End caps settings have no effect on
rectangles and are only used for lines. The Joints setting has three
options:
Round creates slightly
rounded corners on the rectangle, in essence converting it to a rounded
rectangle. Bevel creates hard diagonal corners, while Miter, the
default, creates square corners. The Miter limit setting determines the
appearance of a stroke at its joins. It will only be visible if you draw
a star or triangle, set a very thick stroke, and then a very low miter
limit. The setting primarily exists to allow you to alter a miter limit
on artwork imported from Illustrator.
You can set fills in the
same manner as strokes. You can use solid colors or gradients and create
gradients using the same techniques as outlined previously for strokes.
Only one additional setting is available when you click the triangle
next to Fill: Opacity.
Below the Fill setting
is another opacity property. Strokes and fills can have opacity set
individually. If you want instead to have one opacity setting for the
entire object, set it here (see Figure 4.9).
Note that opacity settings are cumulative, so if you set stroke opacity
and fill opacity individually and then modify the main-shape opacity,
the fill and stroke become more transparent.
The
Rotation setting, directly below Opacity, lets you rotate objects by
scrubbing its value or typing a value of your own. Modifying the Corners
property controls the roundedness of the corners of the rectangle.